This book is no longer accepting ARC readers.
This book is no longer accepting ARC readers.
Slow burn. Second chance. Seventeen years of wanting.
Jake has been in love with Harlow since they were kids. He never said a word. Then she left Collins, Colorado, married someone who didn't deserve her, and disappeared from his life entirely.
Now she's back — quieter than she used to be, rebuilding herself through her art (her paint tubes have opinions, loud ones) — and Jake finally has his chance. If he can manage not to completely blow it.
The Victorian house they're restoring together may or may not be sentient. The town's retirees run a surveillance operation that would impress the CIA. And the peacocks are tactical.
Think Pippa Grant meets first responder romance — big laughs, bigger feelings, and a healing journey that doesn't rush toward its ending.
Tropes: slow burn • second chance • small town • firefighter hero • forced proximity • healing from past abuse • community meddling
| ~80,000 words | Standalone with series potential
⚠️ Content note: references to past emotional abuse
past emotional abuse
I will start out by saying that I was given an ARC copy to read and am giving my own opinion.
This book had me laughing and awing at the same time! The relationship between Harlow (the FMC) and Jake (the MMC) is so sweet, especially once you find out just how long Jake has been in love with …
Thank you to the author for the opportunity to read this ARC, made available through Pen Pinery.
I found the first quarter of the book a bit overwhelming at times, due to the sheet volume of elements being introduced at once –the personification of multiple objects, the town group chat, and trying to figure out who each contributor was. The play-by-play style of the group chat, in particular, felt excessive at times early on. In the beginning I almost found it abrasively ‘rom-comy’, toeing the line of being “campy”.
That said, the personification of the FMC’s house carries some compelling symbolism tied to her healing journey. However, the recurring themes of numbers, reporting, and the constant town-wide awareness occasionally felt overdone. While the idea of a close-knit town “watching” and supporting its members can be charming, it sometimes crossed into feeling intrusive–especially in light of the FMC’s trauma–creating a but of a balancing act between ‘supportive community’ and loss of autonomy.
As the story progresses beyond the first quarter, the author alleviated some of my concern with the town and rooted their involvement much more strongly in care and love rather than control. The evolving relationships between customers add meaningful depth, and this is where I found myself becoming more invested. The town’s affection for one another is particularly well-developed, specifically through the FMC’s turning point with her trauma, and there’s a growing awareness of boundaries, even if the townspeople remain delightfully nosy.
While I ultimately enjoyed the story, certain elements–particularly where themes tipped into a more campy tone, detracted from the overall experience. Additionally, there is a significant inconsistency in the MMC’s trauma narrative: the version he shares earlier in the book (Chapter 8) vastly differs from what is revealed in the final portion (Chapter 32), which was jarring. I actually went back to check! There were a few other smaller inconsistencies as well.
Overall, I think the book shows a lot of promise. The characters and the quirky small-town setting were engaging, and I would be interested in continuing with the series.